In the 1930s, an American fruit company was discovered in the jungle of Costa Rica for the first time trying to clear a banana plantation. Since then, more than 200 have been found, ranging in size from 2cm in diameter to over 2m in size, Ton.
The Opatts are presumed to be remnants of the old architecture that existed at the time of its discovery or disappearance in the year of its founding, and it is presumed to be a stoneware culture that flourished in the area between 300 and 800 AD.
On the other hand, these spherical stones were found by Dr. Samuel Ross Lab, Harvard University researcher, USA, to measure two spheres or diameters from various angles, with a maximum error of 0.2 percent and a diameter of 2.0066 meters, It is known as a perfect circular stone that can not be produced by modern science and technology.
In particular, it has been argued that it is impossible to make the shape of this circle with the stone rock carving. However, the Japanese stone processor, which was commissioned through the special program "Special Research 200X" As a result of trying to make the same material with the same tool and method as the one used, it is found that the stone which is close to the complete sphere can be made by hand only by time. (It has been concluded from this experiment that the same method can be used to produce stone studs and stone statues)
In addition, there is also the argument that there was no such measurement result in relation to a clear error, and that most of the diameters were different by more than 5 cm and that the surface was not in the original state.
The Opath is currently on display at the National Museum of Costa Rica, prohibiting the sale by law and avoiding the damage of the sneakers and collectors.
On the other hand, regarding the purpose of production of this Opaz, it is said that the arrangement of the stone pillar is based on the regularity of the constellation, and that the miniature stone pillar was excavated from the ruling class grave of the Stone Age culture at that time, And the hypothesis that it was produced as a subject of some sacred worship on the basis of what was lined up.
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